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I’m not sure either could hold up to being Red’s equal. Both Amar and Samar have had a complicated relationship with Red, yet they seem more destined to be loyal and respected employees like Dembe (Hisham Tawfiq).
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There are a lot of characters that seem able to fill the void left by Liz’s death. Navigating the loss of a major character requires skill. It turns out that she’s working with Janssen’s mysterious woman.
#The blacklist season 3 episode 4 songs series
The character was introduced as one of the series many deus ex machina, including turning up to save Liz from being captured and summarily executed by “The Cabal”. First is US Marshall agent Cynthia Panabaker (Deirdre Lovejoy). Two other characters seem to be put in play for a new story arc. Either way, it’s clear his role in the series will change dramatically. He’s undeniably loyal and has an impressive skill set, or the producers could just be giving him some more depth so the audience will care if he is killed off. He also would fit the role of an agent for Red. Aram has developed nicely from the timid geek tech guy to a far more complex and rounded figure. Red, still in mid-wallow over the loss of Liz, tells him he doesn’t have the resources to repay the debt, only to have Red show up and say he’s ready to start repayment at the end of the episode. In one of the more interesting exchanges, he tells Red that he’s in debt. The crime-solving part of the episode just seems like a game of connect the dots to get a photo characters for next year introduced: Famke Janssen (best known for playing Jane Grey in the original The X-Men trilogy).Īram also plays a key part in going out to confront Red. Aram does a fine job of explaining just how impossible it is to do what he’s going to do. It’s a mainstay of shows as varied as The Blacklist and Doctor Who. I don’t know if there’s a Scotty (Montgomery “Scotty” Scott from Star Trek) “explain how impossible it is to get done, then do it” trope, but there should be. Aram explains that the baddies could be using unused satellites for their network. The plot of the episode deals with catching the eye in the sky that directed Mr. Unfortunately, the audience is still no closer to knowing the relationship between Liz and Red, despite this interaction. This seems like a continuation of “Cape May” as Red and Dom exchange unpleasantries and potshots. Red’s visitation to Liz’s maternal grandfather Dom, played with one part Russian accent and two parts mumble by Brian Dennehy, comprises about half the episode’s air-time. The episode also includes an additional walk down Red’s emotional psyche this time with a real person. Taking a hit, she leans her head back and says “I feel horrible,” to which, the disapproving Ressler answers, “Well, you should, it’s a funeral.” Confronted by Donald Ressler (Diego Klattenhoff), he replies with “Don’t judge, I’m just, I’m just super stressed out.” Riding shotgun, Samar Navabi (Mozhan Marnò) turns to take a drag off joint. There’s a quick scene in which FBI special agent Aram Mojtabai (Amir Arison) rides in the back of one of the vehicles in the funeral procession and decides to take a few drags off of what looks to be a joint. The other two things The Blacklist does very well are surprise viewers, and provide moments of comic relief. Is Raymond “Red” Reddington (James Spader) dear old granddad? Is the mourned-over Keen trapping and using him before he even knows? Once again, where most shows use soundtracks as filler between conversation, The Blacklist uses them to create suspense and irony. First the soundtrack turns to The Faces’ “ooh la la” in what may or may not be an Easter egg:įor love is blind and you’re far too kind The doors open in slow motion, and The Blacklist does three things that it does better than most television shows. Immediately after the eulogy, they cut to a scene of the pallbearers carrying her casket out of the church. Cooper’s eulogy seemed determine to direct the audience in the same way. Doing so involved some of the most transparently manipulative movements in the show, in which the writers decided not only to tell the audience what to feel, but why they should feel it. The Blacklist spent three years selling Boone’s Keen as a great heroine. This fades into Harold Cooper (Harry Lennix) delivering a eulogy for the now departed Elizabeth Keen (Megan Boone).
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It begins with the hunky bad guy turned good guy Tom Keen (Ryan Eggold) getting frustrated trying to swaddle a baby as a few bars of Ray Lamontagne’s Part One: Homecoming plays in the background. 41)” opens with a montage that embodies the worst and the best of the series.